Wellingtonista: Tiki-Tiki! / Make with the funny

For a very long time I was a massive advocate of social media , how it can connect people, allow anyone to publish to the Web, and share those moments that matter with the people they care about. They were simpler times. There are three facets of social media that I have I grown more and more wary of as they have each grown in power and influence. btw: if you wanna know what social media I use the answer is none. Ish. I don't have anything to do with Facebook and its many apps, I have locked down my Twitter account just to follow a handful of 'silly' accounts that if I can find RSS feeds I will. I'm on LinkedIn but don't have the app and tbh I forget it's around. The one "social media" site I use a lot is YouTube, but it's like TV for me and I Chromecast so never see or interact with comments and the like. So, why the disenchantment and moving on? 1: Social Media is all about money Twitter, Facebook, and all those that claim to 'connect people&

If I could make a movie it would be a Wellington version of this, I LOVE this clip and hope I get to see the full movie one day Manny Kirchheimer is one of the great masters of the American city symphony, as is clear from films like Stations of the Elevated (1981) and Dream of a City, which showed at last year’s NYFF. In his latest work, the 88-year-old Kirchheimer has meticulously restored and constructed 16mm black-and-white footage that he and Walter Hess shot in New York between 1958 and 1960. This lustrous evocation of a different rhythm of life captures the in-between moments—kids playing stickball, window washers, folks reading newspapers on their stoops—and the architectural beauty of urban spaces, set to the stirring sounds of Ravel, Bach, Eisler, and Count Basie. The breathtaking footage was shot in several distinct New York neighborhoods, including Washington Heights, the Upper West Side, and Hell’s Kitchen, and features impressionistic stops throughout the city, making tim

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Wellingtonista: Tiki-Tiki! / Make with the funny

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